Enlil
Enlil, Mesopotamian god of the atmosphere and a member of the triad of gods completed by Anu (Sumerian: An) and Ea (Enki). Enlil meant Lord Wind: both the hurricane and the gentle winds of spring were thought of as the breath issuing from his mouth and eventually as his word or command. He was sometimes called Lord of the Air. Enil is considered a member of the special class of Mesopotamian gods called the Anunnaki.
Mesopotamian mythology
Mesopotamian mythology, the myths, epics, hymns, lamentations, penitential psalms, incantations, wisdom literature, and handbooks dealing with rituals and omens of ancient Mesopotamia.
The literature that has survived from Mesopotamia was written primarily on stone or clay tablets. The production and preservation of written documents were the responsibility of scribes who were associated with the temples and the palace. A sharp distinction cannot be made between religious and secular writings. The function of the temple as a food redistribution centre meant that even seemingly secular shipping receipts had a religious aspect. In a similar manner, laws were perceived as given by the gods. Accounts of the victories of the kings often were associated with the favour of the gods and written in praise of the gods. The gods were also involved in the establishment and enforcement of treaties between political powers of the day.
Another famous text is the Gilgamesh Epic. The 12 tablets of this epic begin and end at the walls of Uruk, the city which Gilgamesh founded. The story itself tells of the exploits of Gilgamesh and his friend Enkidu. Prominent among these adventures is the defeat of the monster Humbaba, guardian of the Cedar Mountain. With the death of Enkidu, Gilgamesh turns his efforts toward a quest for immortality which eventually brings him into contact with such figures as Utnapishtim, who, because he had survived the Flood, was granted immortality. Three times Gilgamesh nearly attains his goal only to have it slip away.
Several other stories from Mesopotamia deal with the theme of immortality. In the Myth of Adapa, Adapa was summoned to the gods because he had broken the wings of the South Wind. Due to the warning of his divine father, Ea, he refused to eat or drink the food of the gods offered to him which would have granted him immortality. A different type of immortality was related in the story of Etana, the king of Kish, who was without children. In order to reach the Plant of Birth, he freed an eagle from captivity and rode its back to heaven.
Mesopotamian religion
Mesopotamian religion, beliefs and practices of the Sumerians and Akkadians, and their successors, the Babylonians and Assyrians, who inhabited ancient Mesopotamia (now in Iraq) in the millennia before the Christian era. These religious beliefs and practices form a single stream of tradition. Sumerian in origin, Mesopotamian religion was added to and subtly modified by the Akkadians (Semites who emigrated into Mesopotamia from the west at the end of the 4th millennium bce), whose own beliefs were in large measure assimilated to, and integrated with, those of their new environment. For historical background, see Mesopotamia, history of.
Human occupation of Mesopotamia—“the land between the rivers” (i.e., the Tigris and Euphrates)—seems to reach back farthest in time in the north (Assyria), where the earliest settlers built their small villages some time around 6000 bce. The prehistoric cultural stages of Ḥassūna-Sāmarrāʿ and Ḥalaf (named after the sites of archaeological excavations) succeeded each other here before there is evidence of settlement in the south (the area that was later called Sumer). There the earliest settlements, such as Eridu, appear to have been founded about 5000 bce, in the late Ḥalaf period. From then on the cultures of the north and south move through a succession of major archaeological periods that in their southern forms are known as Ubaid, Warka, and Protoliterate (during which writing was invented), at the end of which—shortly after 3000 bce—recorded history begins. The historical periods of the 3rd millennium are, in order, Early Dynastic, Akkad, Gutium, and 3rd dynasty of Ur; those of the 2nd millennium are Isin-Larsa, Old Babylonian, Kassite, and Middle Babylonian; and those of the 1st millennium are Assyrian, Neo-Babylonian, Achaemenian, Seleucid, and Parthian.
The religious development—as indeed that of the Mesopotamian culture generally—was not significantly influenced by the movements of the various peoples into and within the area—the Sumerians, Akkadians, Gutians, Kassites, Hurrians, Aramaeans, and Chaldeans. Rather it forms a uniform, consistent, and coherent Mesopotamian tradition changing in response to its own internal needs of insights and expression. It is possible to discern a basic substratum involving worship of the forces in nature—often visualized in nonhuman forms—especially those that were of immediate import to basic economic pursuits. Many of these figures belong to the type of the “dying god” (a fertility deity displaying death and regeneration characteristics) but show variant traits according to whether they are powers of fertility worshipped by marsh dwellers, orchard growers, herders, or farmers. This stage may be tentatively dated back to the 4th millennium bce and even earlier. A second stage, characterized by a visualization of the gods as human in shape and organized in a polity of a primitive democratic cast in which each deity had his or her special offices and functions, overlaid and conditioned the religious forms and characteristics of the earlier stage during the 3rd millennium bce. Lastly, a third stage evolved during the 2nd and 1st millennia bce. It was characterized by a growing emphasis on personal religion involving concepts of sin and forgiveness and by a change of the earlier democratic divine polity into an absolute monarchical structure, dominated by the god of the national state—to the point that the pious abstained from all human initiative, in absolute faith and reliance on divine intervention. As a result of this development, since the ancient Mesopotamians were intensely conservative in religious matters and unwilling to discard anything of a hallowed past, the religious data of any period, and particularly that of the later periods, is a condensed version of earlier millennia that must be carefully analyzed and placed in proper perspective before it can be evaluated.
Present knowledge of ancient Mesopotamian religion rests almost exclusively on archaeological evidence recovered from the ruined city-mounds of Mesopotamia since the 19th century. Of greatest significance is the literary evidence, texts written in cuneiform (wedge-shaped) script on tablets made of clay or, for monumental purposes, on stone. Central, of course, are the specifically religious texts comprising god lists, myths, hymns, laments, prayers, rituals, omen texts, incantations, and other forms; however, since religion permeated the culture, giving form and meaning to all aspects of it, any written text, any work of art, or any of its material remains are directly or indirectly related to the religion and may further scholarly knowledge of it.
Among the archaeological finds that have particularly helped to throw light on religion are the important discoveries of inscribed tablets with Sumerian texts in copies of Old Babylonian date (c. 1800–c. 1600 bce) at Nippur and Ur, the Sumerian and Akkadian texts of the 2nd and 1st millennia from Ashur and Sultantepe, and particularly the all-important library of the Assyrian king Ashurbanipal (reigned 668–627 bce) from Nineveh. Of nonliterary remains, the great temples and temple towers (ziggurats) excavated at almost all major sites—e.g., Eridu, Ur, Nippur, Babylon, Ashur, Kalakh (biblical Calah), Nineveh—as well as numerous works of art from various periods, are important sources of information. The Uruk Vase, with its representation of the rite of the sacred marriage, the Naram-Sin stela (inscribed commemorative pillar), the Ur-Nammu stela, and the stela with the Code of Hammurabi (Babylonian king, 18th century bce), which shows at its top the royal lawgiver before the sun god Shamash, the divine guardian of justice, are important works of art that may be singled out. Other important sources are the representations on cylinder seals and on boundary stones (kudurrus), both of which provide rich materials for religious iconography in certain periods.
Mesopotamian literature originated with the Sumerians, whose earliest known written records are from the middle of the 4th millennium bce. It constitutes the oldest known literature in the world; moreover, inner criteria indicate that a long oral-literary tradition preceded, and probably coexisted with, the setting down of its songs and stories in writing. It may be assumed, further, that this oral literature developed the genres of the core literature. The handbook genres, however, in spite of occasional inclusions of oral formula—e.g., legal or medical—may generally be assumed to have been devised after writing had been invented, as a response to the remarkable possibilities that writing offered for amassing and organizing data.
That praise is of the essence of hymns, for instance, is shown by the fact that over and over again the encomiast, the official praiser, whose task it was to sing these hymns, closed with the standing phrase: “O [the name of a deity or human hero], thy praise is sweet.” The same phrase is common also at the end of myths and epics, two further praise genres that also belonged in the repertoire of the encomiast. They praise not only in description but also in narrative, by recounting acts of valour done by the hero, thus sustaining and enhancing his power to do such deeds, according to the magical view.
As writing developed more and more precision during the 3rd millennium bce, more oral compositions seem to have been put into writing. With the 3rd dynasty of Ur a considerable body of literature had come into being and was being added to by a generation of highly gifted authors. Fortunately for its survival, this literature became part of the curriculum in the Sumerian scribal schools. It was studied and copied by student after student so that an abundance of copies, reaching a peak in Old Babylonian times, duplicated and supplemented each other as witnesses to the text of the major works. Fifty or more copies or fragments of copies of a single composition may support a modern edition, and many thousands more copies probably lie unread, still buried in the earth.